That Floating Excrement Was Far Too Meaningful! It's the Television Disappointments of the Past Year.

As we reflect on the television landscape of the recent year, a selection of series stand out not for their excellence, but for their spectacular shortcomings. From cringe-inducing spin-offs to bafflingly bad documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with woeful scripts, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the final series began, it looked like it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last series. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too symbolic. Yet, viewers certainly had a hoot picking apart every single “wtf?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The subject of a very rare no-star review, it was hard to know where to begin enumerating the flaws. The hilariously leaden dialogue? The tedious veneration of affluence and materialism? The seemingly wilful parade of cliches? Acting so poor they felt almost malicious? Suffice it to say “all of the above” and forget about this show again. Except, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence claims and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not you’d truly have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might evoke should be reserved for the people who have had to endure close contact with this charismatic but dismissive egotist.

The Iris Affair

Naturally we understood it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing accents. But there were many other problems. Primarily that it was just really boring; a conflict over drug-selling territory between various London rogues which seemed a bit basic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into twee homemaking as deliberate provocations. But then you view them and are compelled to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about both Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this documentary series opted not to say them. Rather, the experience was akin to reading a marketing brochure. She clearly has every right to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a programme that was straining desperately to live up to something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated with care. Rather, the series struggled painfully to find the right voice, lumbering from strangely jaunty, somewhat stylised farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services targeting – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for explicit escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we craved was far greater examination of her actual psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Chelsey Smith
Chelsey Smith

Lena is an eco-artist who blends traditional techniques with natural materials to create land art and installations.